"On the whole I am inclined to think that a witch should not kiss. Perhaps it is the not being kissed that makes her a witch; perhaps the source of her power is the breath of loneliness around her." - Emma Donoghue

S., 24, Italian. Kate is my internet handle and you can call me that. People scare me so I'll probably never talk to you even if I think you're cool, and if I do it'll be very awkward. English is my second language; I apologize for any mistakes.

I love a lot of things, including fairy tales, mythology, ladies who make music, ladies in general, history, languages. I watch a lot of movies and tv, I ship all the things, and I love Pokémon a lot.
 



wolverxne:

Floating Lanterns, by: { Dwight K. Morita }

These floating lanterns memorialize those that have passed away at Ala Moana Park in Honolulu, Hawaii.  As the sun sets in the background, small boats with Buddhist monks and church volunteers help to launch and shepherd the small armada of lantern ships, each inscribed with sentiments from family and friends.  This traditional Buddhist practice began as a small ritual, but has since grown to become a major event attracting thousands of people of all faiths from around the world.

wolverxne:

Floating Lanterns, by: { Dwight K. Morita }

These floating lanterns memorialize those that have passed away at Ala Moana Park in Honolulu, Hawaii.  As the sun sets in the background, small boats with Buddhist monks and church volunteers help to launch and shepherd the small armada of lantern ships, each inscribed with sentiments from family and friends.  This traditional Buddhist practice began as a small ritual, but has since grown to become a major event attracting thousands of people of all faiths from around the world.

(Source: WOLVERXNE, via armpitcarnival)



ART HISTORY MEME || [1/2] museums: Musée du Louvre - Paris, France

(via droo216)


1 week ago · 19,136 notes · originally from daanielasm
#louvre #paris #france #I want to go there

jennyleelindberg:

inthecoldlightofmorning:

Neuschwanstein Castle Schwangau, Germany

(via yeoldehope)



salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.

The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).

Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 



englishsnow:

 saviorjosh | Venice

(via italiansreclaimingitaly)


1 month ago · 33,373 notes · originally from englishsnow
#Italy #photography #venice #I want to go there

shaefierce:

Counting down Scotland to six weeks now. Hope my photographs are anything close to this beautiful. Finally shipped my friend in Montana back her pro camera and after much deliberation over the Iceland outtakes, I have decided to jump into the deep end and buy my own pro pack for travel photography. Thinking a Mark III. I can’t just up and skip off to Scotland without one, now can I? No. The home in the first image is basically my dream home. I might not come back to the States. I might leave my life for that of a Scottish rancher instead.

(Source: instagram.com, via sansastarkt)


2 months ago · 70,425 notes · originally from shaefierce
#scotland #photography #I want to go there

sorceressofwildwood:

seafarers:

Fall Aspens by Chad Galloway

This is so pretty and so unsettling at the same time.

(via pacificpikachu)



sucricedicius:

Tōrō nagashi (灯籠流し Tōrō = lantern / nagashi = cruise, flow) is a Japanese ceremony in which participants float paper lanterns down a river. This is primarily done on the last evening of the Bon Festival, festival based on the belief that this guides the spirits of the departed back to the other world. The white lanterns are for those who have died in the past year. Traditional Japanese beliefs state that humans come from water, so the lanterns represent their bodies returning to water.

(via misty-williams)



arpeggia:

Musée du Louvre, Paris, 2005

Photo by Candida Höfer

See more Candida Höfer posts here.

(via afigureofspeech)


3 months ago · 33,145 notes · originally from arpeggia
#paris #france #louvre #photography #I want to go there

katiewilsonxp:

Some pretty pictures I found from my trip to Scotland. Castle Eileen Donan. 

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englishsnow:

Nottingham

(via afigureofspeech)



beardbrand:

Golden Hour at Apostle Islands, Wisconsin, February 2014, posted by badtzxo

(via riotrink)



Canada

(via yeoldehope)


4 months ago · 54,589 notes · originally from greaterland
#photography #canada #I want to go there

elosilla:

Carnival of Venice.


5 months ago · 81,869 notes · originally from elosilla
#Italy #venice #photography #I want to go there #carnival

myampgoesto11:

 Anila Quayyum Agha: Intersections 

Created by mixed media artist Anila Quayyum Agha, this elaborately carved cube with an embedded light source projects a dazzling pattern of shadows onto the surrounding gallery walls. Titled Intersections, the installation is made from large panels of laser-cut wood meant to emulate the geometrical patters found in Islamic sacred spaces. Agha shares:

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.

Intersections is currently a finalist in the 3rd Annual See.Me: Year in Review Competition, and you can learn more about it here.

[Colossal]

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